Showing posts with label Myanmar. Show all posts
Showing posts with label Myanmar. Show all posts

Monday, July 23, 2012

Finally a decent shop in Myanmar!

This may be a piece of good news for those looking to buy guitars and related equipments here in Myanmar. I have finally found a shop where the prices are pretty reasonable (though not awfully cheap). As much as I would love to take a photo of the shop, I was stopped by the shopkeeper there. I explained to him but he was adamant. Well, too bad since it is his own loss. 

Anyway, the shop name is: Jolly Music Centre. It is located at City Center Shopping Mall. Here is the exact address:
No. 3 and 4 Laharpyin
City Center Shopping Mall
Pabedan Township
Yangon, Myanmar 
If you happen to visit Myanmar (for some reasons which makes me wonder what it is though), you should visit this place. There are a couple of music shops though not that many. As far as I can see, things in Jolly Music Center are authentic so you don't need to be afraid of duds. What brands do they have? Fender, Ibanez, Washburn, Schecter, Laney, Peavey, hell a lot of Yamaha, and effects like Boss, Digitech and Ibanez. In fact, it's the only place I have seen a TS9 and TS808. Guitars are listed in USD so you might need to know the exchange rate before making a purchase.  
 

Wednesday, June 13, 2012

Myanmar Guitar-ology, Episode-2: The Balance

Many Chinese people and especially the acupuncturists believe that the balance Yin and the Yang is crucial. Likewise, some of the guitarists believe that the balance in tone (how bright and how dark) is important as well. 
Ko Cho had a customer who wishes to have a balance in the tone of his acoustic guitar. He wants the bass to sound less of the bass and the treble to sound less of the treble. In other words, he wants a brighter bass and warmer and darker treble. So here's what Ko Cho did to meet his requirement:
A picture speaks a thousand words, isn't? As you can see, half of the top of this particular guitar is made from spurce and the other half is made from red cedar. But what is the purpose of this? Here is his explanation.
Spurce has a brighter tone, trebly in nature. By making the left half of the top with spruce, the side with the bass strings, it helps to give a more brighter and distinctive bass notes. I have heard it in action and I really like the tone of the bass strings. Even when playing a real bass, I would settle for a jazz bass rather than a precision because I prefer my bass notes to be distinctive and bright. The compatibility with the music I am playing is, of course, another story.
Cedar on the other hand, is the direct opposite of spruce; it has a soft attack and warm in tone. These two are just the things needed to get that warmer treble. So with this in mind, the luthier made the other half with red cedar (probably imported from the States since red cedar is super rare here). 
The combination of these two types of wood gives precisely what the customer has asked for. Oh, the sides and the back is made of mahogany if I remember correctly. 
I have some food for thoughts though. Combining these two woods does give a balance to the tone right now.  However, the common belief and opinion is that these two types of wood mature at a different rate. Spruce takes a longer to mature and open up than cedar. So let's say in 4 years time, what will the tone be like?